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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | Xenarmónico es un término usado para describir sistemas de [http://en.wikipedia.org/wiki/Musical_tuning afinación] ó [http://en.wikipedia.org/wiki/Music música], usando estos para la cual no se conforman en base al cierre aproximado del común [http://en.wikipedia.org/wiki/12-tone_equal_temperament sistema equitativo de 12 notas]. El término fue acuñado por [http://en.wikipedia.org/wiki/Ivor_Darreg Ivor Darreg], a partir de los términos [http://en.wikipedia.org/wiki/Greek_language griegos] [http://en.wikipedia.org/wiki/Xenia_%28Greek%29 xenia] ( '''ξενία: hospitalario, generoso'''), y/o [http://en.wikipedia.org/wiki/Xenos_%28Greek%29 xenos] ('''ξένος: forastero'''), significando 'Armonía forastera' ó 'Armonía hospitalaria', siendo este último interpretado como Armonía Bondadosa, refiriéndose a la abundancia de opciones armónicas que no se encuentran en el sistema común de 12 notas. A Ivor Darreg se le conoce por la declaración: "Este escritor ha propuesto el término Xenarmonía para aquellas música, melodías, escalas, armonías, instrumentos y sistemas de afinaciones, los cuales no suenan como el típico Sistema Temperado de 12 notas." <sup>[http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0 1]</sup> |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:Natebedell|Natebedell]] and made on <tt>2011-09-16 12:08:26 UTC</tt>.<br>
| | El término pretende incluir además, afinaciones tales como el Sistema Temperado de 5 notas y el Sistema Temperado de 7 notas, por lo cuales son excluídos dentro de la categoría "Microtonal", debido a que sus intervalos son más largos que los del [http://en.wikipedia.org/wiki/Equal_temperament Temperamento Equitativo de 12 notas]. El término 'Microtonal' quizás haya sido visto como demasiado restrictivo, ya que este fue asociado fuértemente al movimiento [http://en.wikipedia.org/wiki/Quartertone Quartitonal], con compositores como [http://en.wikipedia.org/wiki/Julian_Carrillo Julian Carrillo], quién trabajó únicamente con Sistemas Temperados que fuesen múltiplos de 12. Ivor Darreg fue uno de los primeros en argumentar que cualquier Temperamento Equitativo puede servir como fuente válida para propósitos musicales. |
| : The original revision id was <tt>254784542</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**<span class="WikiPageMenuTitle WikiElement">Xenarmónico</span>** es un terma used to describe [[http://en.wikipedia.org/wiki/Musical_tuning|tuning]] systems, or [[http://en.wikipedia.org/wiki/Music|music]] using those systems, which does not conform to or closely approximate the common [[http://en.wikipedia.org/wiki/12-tone_equal_temperament|12-tone equal temperament]]. The term was coined by [[http://en.wikipedia.org/wiki/Ivor_Darreg|Ivor Darreg]], from [[http://en.wikipedia.org/wiki/Xenia_%28Greek%29|xenia]] ([[http://en.wikipedia.org/wiki/Greek_language|Greek]] **ξενία**), hospitable, and [[http://en.wikipedia.org/wiki/Xenos_%28Greek%29|xenos]] ([[http://en.wikipedia.org/wiki/Greek_language|Greek]] **ξένος**) foreign. He famously stated: "This writer has proposed the term xenharmonic for music, melodies, scales, harmonies, instruments, and tuning-systems which do not sound like the 12-tone-equal temperament."[[http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0|[]][[http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0|1]][[http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0|]]]
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| The term is meant to include tunings such as 5- and 7-tone equal temperament, which are perhaps excluded under "microtonal" rubric, since their intervals are larger than those of [[http://en.wikipedia.org/wiki/Equal_temperament|12-ET]]. The term "microtonal" may have also been seen as too restrictive in that it was strongly associated with the [[http://en.wikipedia.org/wiki/Quartertone|quartertone]] movement, and with composers like [[http://en.wikipedia.org/wiki/Julian_Carrillo|Julian Carrillo]], who only worked in equal temperaments that were multiples of 12. Darreg was among the first to argue that any equal temperament could be a valid source of musical materials.</pre></div>
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| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>xenarmónico</title></head><body><strong><span class="WikiPageMenuTitle WikiElement">Xenarmónico</span></strong> es un terma used to describe <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Musical_tuning" rel="nofollow">tuning</a> systems, or <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Music" rel="nofollow">music</a> using those systems, which does not conform to or closely approximate the common <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/12-tone_equal_temperament" rel="nofollow">12-tone equal temperament</a>. The term was coined by <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Ivor_Darreg" rel="nofollow">Ivor Darreg</a>, from <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Xenia_%28Greek%29" rel="nofollow">xenia</a> (<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Greek_language" rel="nofollow">Greek</a> <strong>ξενία</strong>), hospitable, and <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Xenos_%28Greek%29" rel="nofollow">xenos</a> (<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Greek_language" rel="nofollow">Greek</a> <strong>ξένος</strong>) foreign. He famously stated: &quot;This writer has proposed the term xenharmonic for music, melodies, scales, harmonies, instruments, and tuning-systems which do not sound like the 12-tone-equal temperament.&quot;<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0" rel="nofollow">[</a><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0" rel="nofollow">1</a>[[<!-- ws:start:WikiTextUrlRule:16:http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0 --><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0" rel="nofollow">http://en.wikipedia.org/wiki/Xenharmonic_music#cite_note-0</a><!-- ws:end:WikiTextUrlRule:16 -->|]]]<br />
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| The term is meant to include tunings such as 5- and 7-tone equal temperament, which are perhaps excluded under &quot;microtonal&quot; rubric, since their intervals are larger than those of <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Equal_temperament" rel="nofollow">12-ET</a>. The term &quot;microtonal&quot; may have also been seen as too restrictive in that it was strongly associated with the <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Quartertone" rel="nofollow">quartertone</a> movement, and with composers like <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Julian_Carrillo" rel="nofollow">Julian Carrillo</a>, who only worked in equal temperaments that were multiples of 12. Darreg was among the first to argue that any equal temperament could be a valid source of musical materials.</body></html></pre></div>
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